shaddock 09 – people like me – comes courtesy of boost riders, alias of a well known hip hop producer from madrid. they deliver a classy and catchy latin freestyle tune featuring a prominent voice sample. -people like me- has been lying in our drawer for some time, it is a personal favourite and this track is the reason why shaddock records was founded. finally the time for its release is here – backed on the b-side by a mind-blowing and much darker electro/industrial remix by dj stingray.

hoel’s contribution to this disorientating piece of engineered sound sculpture, is imagined as a schizo-paranoid state of delirium. voices whisper over evolving modular phases of heavy, distorted nothingness. it is a full theatrical construction featuring a haunted choir conducted to sing in the producer’s own unique voice.
the second side features two tracks by label debutant simon marchesini. subtle, brooding almost-there beats reach from underneath, intertwining themselves with a rich sound carpet of complex poly-rythms and twisting vortex-like pads. marchesini seeks to push sound to the very limits of the spectrum.

life is like a mirror ball! the first one in a hopefully long-lived series of disco and pop influenced super sound singles on running back, comes courtesy of the unmistakeable gibson brothers. leaving their biggest wedding hits -cuba- and -que sera mi vida- to the side, the philanthropic and smile-forcing -ooh, what a life- gets an extended edit service by shan & gerd janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. the flip side sees them remixing and sandpapering -heaven- into a disco-house interbred (filters and looping mandatory). to quote john lyndon: -disco sucks? you never heard that from me.-

kht 008 is coming from no less than the man who is called * the prince of techno* by his peers. and that is for a reason: blake was part of the first wave of detroit techno artists and dis and contributed to the techno movement from the mid 80s. tracks like “when a dream becomes u” or “our love” are milestones of electronic music, his style, which he calls “poetry and rhythm” is distinctive. for killekill house trax he delivers the acid life ep which comes along with two strong, acid driven tracks, the a-side darker and more chicago-oriented with its rhythmical focus and the punchy kick, the b-side more detroit-ish with its uplifting chords. timeless!

after a 3 year hiatus from his avatism moniker, thomas feriero, one half of cw/a and owner of parachute records, returns with an ep for his home label vakant. a rough yet refined release, unassuming in its effort, thomas channels both his previous solo work and his cw/a project into a tightly wound package with 4 solid cuts. various influences converge yet a straight line is etched for all to follow. these are up-front, hard working tracks. body music with an undercurrent of breakbeat. his first ep on vakant since his album. file under need / want.

unearthed by groove archeologist betino errera, this black gem was cut in paris in 1980 by american vocalist robert helms. his french career being rather confidential with releases under his own name as well as bobby helms or simply bobby, the lay down girl album remained a well-kept secret for decades despite the fact that it contained two very strong disco-funk tunes.

limited edition of 250 copies, featuring 2 hot funky tracks from tom hooker, never before released on vinyl.

just a classic, back from 1978 with serious phunin disco madness

eagles & butterflies works like on the assembly line and at the end the best of the best comes out. art imitating life vol. 2 has arrived with 4 new experiments, a full colour bohemian montage of sound. futuristic tribalistic house music we like a lot, again delivered on limited edition coloured vinyl.

rihanna’s 2006 album a girl like me back on 180 gram double vinyl

this ep is the product of a wide-spanning collective with high personal standards of artistic expression. with spirited vitality lukas endhardt fills the air with the warmth of hot summer days, and fresh air of dark, beating nights. he shows undeniable skills for stimulating progression, which spirits you away into atmospheric sounds and grounded beats. the remixes on this ep set different moods and emotions in to play, and manage still to form a certain unity throughout the tracks.

leaning against a wall, his shirt unbuttoned to his navel and cradling a tumbler of something strong and sophisticated, tony igiettemo looks every bit the smooth talking 80s gent. when you put hot like fire on the turntable and drop the needle, however, it is immediately clear that smooth tony is also a little bit freaky. sirens, slap bass, squelchy synths and a titchy high hat that just won’t give up, hot like fire is a cosmic call from a dance floor on the far side of the universe.

nice price deal !!! hess is more album cut would would you like to disco gets the full 12inch remix treatment. alongside the original is kenneth bagers original vocal remix and a dub version, both of which beef up the original for a more intense and dancefloor ready electro interpretation.

special summer deal! fresh, jacking & swinging, classic 1990s us house trained, highly effective dj tool set.

gitarre, drums, gesang und viel energie: anti-labeldebüt der kanadischen garage-rocker. die vinyl-lp erscheint inklusive poster, booklet und downloadcode.

double 12 inch vinyl in gatefold sleeve.

dj support > chrissi d, dany wild, erick decks, falko niestolik, malente!!! limited edition !!! cool funky & techy electrohouse vinyl, incl dbn remix

nice price deal !!!

tomahawk records is a new label that resists genres and hones in on the curation and sound of new artists. the label is keen to push undiscovered artists out into the periphery and give them the support to help grow as individuals.
the first release which is just round the corner is by the australian duo anthony fade, two hidden gems found on soundcloud. their process is a simple combination of hardware and software instruments and heavy use of ambient recordings and various samples. the ep titled “like that” contains four tracks of late summer vibes, dreamy vocals and a massive dose of energy getting ready for winter.

nice price deal !!! cool the bomb follow up! funky house remake of this great edwyn collins classic

7 inch vinyl featuring rf classic mix on one side and spiltmilk remix on the other. plays on 45 rpm.

blawans new side project bored young adults is up next on will bankheads label the trilogy tapes. the shy dancers on bungalowdorf beach features some restrained and slow burning techno experiments that differ from jamie roberts more usual hard-hitting sounds. the seething title track treads the same path as kassem mosse or vactrol park. the fentanyl techno of but we need this bench sounds like an old regis record played on 8, while devoted fans of the young uk producers sound will get something a bit more familiar on the menacing hypnotic techno grinder check up from the neck up.

cupol was an english post-punk band that formed during wire s 1980-1984 hiatus. the duo consisted of bruce gilbert (guitar, vocals, synthesizer) and graham lewis (bass, vocals, synthesizer). building on wire

somewhere between heaven and cosmos.....

steve poindexter and jamal moss return as the faces of drums banging those classic gherkin style vibes and deep chaotic sound motions with a twist of off-kilter acid to finish you off in the classic mathematics way on do u like the way that it feels? ep.

mo kolours flipped and whisked with some new treats ft. jonwayne, a jeen bassa version of soul s journey, a reginald omas mamode iv version of foundation and a dj sotofett reprise / dub version of golden brown! tip!

no more pop returns after the summer with a surprising new wave release by obscure by degrees. the extremely rare original from 1981 has been remastered and geniously remixed by swedish artist zener color.

after his last ep b.a.b.e on drumpoet community look like aka luca duran is back with a new release on akoya circles. the solid and versatile four-tracker spring and you again shows his capacity to produce tracks that are inspired by the old detroit and chicago house music combined with modern elements. opener spring & you is oriented by the early detroit sample process and reminds us of the beauty and simplicity of this area. a2 arms akimbo the most disco oriented track on this 12inch is a timeless swing weapon. on the b side nothing to fear a heavy disco-house tune that certainly demands a shaking hip. followed by b2 white stairs a late night stomper. unsurprisingly the releases of the young colombian - swiss producer look like are receiving support from heavyweight diggers like laurent garnier, ben ufo, dvs1& dam swindle.

new life tones is the second 12inch of 2016 for call super and heralds another subtle shift in his work. puppet scenes chisels a twitchy, snake-like path between dub and house whilst rejecting the standard templates for the usual melding of those two forms. new life repercussions is a transmission from the undergrowth. a sleek roller that surrenders to something broken and melancholic it represents another achievement in call super s increasingly idiosyncratic melodic portfolio. 12inch cut and mastered by matt colton at alchemy

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

third release of dancing like quagmire, italian white label (vinyl only) born to make you dance shouting “giggity giggity go”!!! mini-album with five tracks deeply rooted in 20th century russian culture in which neotnas is showing his poetic music style wandering between rough drum patterns, old dusty samples (hard to dig for sure) and hypnotics saxophone melodies. a-side starts with dreamy downtempo intro elin, followed by crispy broken rhythms of colourful tension and closes with breezy and fluffy don’t rush with dubjazz. b-side contains mighty deep house trip morning way, and outro come, where the main character is undoubtedly ivan pona’s magic sax which created an illusory atmosphere over neotnas’s soul beat.

lowercase life is a new record label releasing limited vinyl editions with hand made artwork covers. label owner colophon kicks off with the 1st ep trying to catch the spirit that once started in detroit. three tracks created on old analogue synths and drum machines combined with new software technologies. in addition to the original tracks florian kupfer (l.i.e.s.) delivers a remix with a raw, uncompromising one-take hardware recording like only he can.

nice price deal !!! schöner klassischer vocal house…plus r & b mix

nice price deal !!!

nice price deal !!!

nice price deal !!! mixes from lazard / sunrider / dirty dutch / cj stone

erste 7- wiederveröffentlichung des raren disco-soul-klassikers -ain t nothing like your love- von the charisma band, geschrieben von ronald thomas, produziert von bert de coteau und erschienen im original 1975 auf buddah records.

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

king of ghetto house kicks off his 20th anniversary celebration with 5 classic joints, & a modern banger: wouldn t you like to be a hoe too, strap up before you hit it, pajamas, where the rats, vulture life, slugzilla. custom series sleeve.

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a new 10inch ready for circulation, trim returns with james blake and airhead hinting towards a taster of whats to come. ‘rpg’ seeps with blakes signature off-kilter soul, feeding the subversive nature that trim revels in, whilst the airhead produced man like me, is undeniably anthemic. guided by the distinct-outsider vocal of one the most under-glorified, yet revered mcs in the uk scene, the 1-800 crew continue to construct their own direction.

aquarius heaven is brian brewster, an artist brought up between texas and the caribbean who has laid down some compelling, socially and politically minded verses on magical eps for labels like wolf & lamb and circus company. fusing reggae, dancehall, house and hip hop he is a unique talent who has also worked with dop, miss kittin, ryan crosson, art department, mathias kaden and many more.

four slabs of distortion-laced acid, electro, and techno from lse founder r gamble. featuring an excellent remix by diagonal / spectrum spools affiliate prostitutes... ltd to 300 copies

first release on les temps difficiles, 2 tracks from quitter & vicari – a collaboration between dave taylor (ammo 84, charmin) and tommy vicari jnr (cabinet, robsoul, cartulis) recorded in sheffield. b side is a 12 minute track from tommy – levels

one sided smasher !

second release of dancing like quagmire, italian white label (vinyl only) born to make people dance shouting“giggity giggity go”!!! this second chapter is born to rock the house with three original tracks from bolognese jackie plus whistling and addictive remix from “the kaizer” kai alcé.the title track “natural” is ispired by ‘90s italian house with voyaging atmospheres on irresistible snares drums, a2 “honestly” represented a continous and goes more deep and straight to move the dancefloor, while on the bsideyou can find kai alcé’s distinctive touch on “natural” vibes where the unmistakable flote bring soul overan undying chicago house groove. “glimmer” on b2 side close the ep with positive and quite melodies.

contemplative, but never melancholic, rather with a positive mood, the tracks diffuse an overwhelming lightness and radiate a lighthearted happiness, which are manifested on an incredibly emotional and spiritual level. with the simple and classic black and white artwork the two releases from sahraoui balance eachother like yin und and yang. the second part of the eternal life ep has a very different background than the first ep. it is the white yang of these two natural opposites, contrary forces that are interconnected and interdependent. the record is significantly calmer, less clubby and references the beginnings of the detroit sound